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The only title she refused was Miss Roquefort Cheese, because she believed it "... In 1952, while in Dallas, she and Paul Mansfield participated in small local-theater productions of The Slaves of Demon Rum and Ten Nights in a Barroom, and Anything Goes in Camp Gordon, Georgia.After he left for military service, she made her first notable stage appearance in a production of Arthur Miller's Death of a Salesman on October 22, 1953, with the players of the Knox Street Theater, headed by Lumet.Fox launched their new blonde bombshell with a forty-day, sixteen-country tour of Europe for the studio.She attended the premiere of the film (released as Oh!The contract initially paid her 0 a week (,000 in 2017 dollars) and landed her two films—one with an insignificant role, and another unreleased for two years.She filed for separation from Paul Mansfield that January.Early in her career, some advertisers considered her prominent breasts problematic, which led to her losing her first professional assignment — an advertising campaign for General Electric that depicted young women in bathing suits relaxing around a pool.Mansfield's first film part was a supporting role in Female Jungle, a low-budget drama completed in ten days while she was still a student at UCLA.
She enjoyed success in the role of fictional actress Rita Marlowe, both in the 1955–1956 Broadway version and the 1957 Hollywood film version of Will Success Spoil Rock Hunter? (1963), she became the first major American actress to have a nude starring role in a Hollywood motion picture.
Her other major movie performances were in The Girl Can't Help It (1956), The Wayward Bus (1957), and Too Hot to Handle (1960). Mansfield took her professional name from her first husband, public relations professional Paul Mansfield.
She was married and divorced three times and had five children.
Kellman's offer to play a dramatic role in The Burglar (1957), director Paul Wendkos's film adaptation of David Goodis' novel.
Made in film noir style, Mansfield appeared alongside Dan Duryea and Martha Vickers.
It was "generally conceded to have been her best acting," according to The New York Times, in a fitful career hampered by her flamboyant image, distinctive voice ("a soft-voiced coo punctuated with squeals"), voluptuous figure, and limited acting range.